rom the beginning of the 20th century to the period between the two world wars, Berlin and Vienna witnessed an explosion of artistic productivity and experimentation. Featuring works by Schiele, Hausmann, Hoffmann, Kokoschka, Dix, Grosz, Liebermann, Kirchner, and others, this volume documents how two very different cities developed artistic traditions that were unique to their individual cultures, while at the same time borrowing from each other's accomplishments. Starting with the Secessionist movements of both cities, this generously illustrated volume compares and contrasts Berlin's realism with Vienna's ornamentalism. World War I led to greater proximity between the two nations and to active artistic exchanges between them, both in relation to the rise of the Neue Sachlichkeit or New Objectivity and, in particular, in the context of stagecraft.
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