Since the beginning of his career, Swiss photographer Christian Tagliavini has been fascinated by mise-enscene photography and Renaissance portraiture. Referencing the painting style of the Old Masters, his carefully-staged photo portraits exude the dignity and composure of 15th and 16th-century courtly culture, meticulously replicating their dimensions, framing, and chiaroscuro effects. After his breakthrough with the series 1503, Tagliavini returns to the art historical theme with his new series, 1406, published for the first time in this book. In his process, however, Tagliavini takes a step further back from the Renaissance artist ideal, presenting himself instead as a "photographic craftsman" who designs each of his costumes and props by hand with a small team.