Angel

Elizabeth Peyton's art is one of glances and gestures that become indistinguishable from her in the moment she paints them. The works are an expression of specificity, but also of Peyton's extraordinary ability to identify with her subjects. There is a feeling that becomes cumulative in her art, unadulterated and almost destabilizing, built up through the many brush marks that characterize her surfaces. Through the depth of these images, constructed one stroke at a time, the emotional substrate of our reality is revealed. -Lucas Zwirner, “The Profession of the Painter,” in Angel
Angel, Peyton's debut monograph from David Zwirner Books, explores the artist's extraordinary ability to identify with her subject matter, from Ang in the Mountains and Mani Rimdu to the subjects of Elvis Angel (Elvis' Eyes) and Titanic (Jack & Rose).