Giorgio de Chirico began to develop his Pittura Metafisica, or Metaphysical Painting, around 1911, painting brooding, dreamy scenes of depopulated landscapes filled with incongruous objects. But though this is the work de Chirico is best known for, his Metaphysical Painting period lasted only until 1919, and he remained prolific and experimental throughout his entire long life (trying out, for example, a Return to Order and a Rubens-inspired neobaroque style).
In Giorgio de Chirico: The Changing Face of Metaphysical Art, the first de Chirico overview in more than 20 years, scholar Victoria Noel-Johnson explores the artist's entire, complex career and proposes a cohesive logic within its diversity.
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